The physique and disgrace: Phenomenology, Feminism, and the Socially formed Body investigates the concept that of physique disgrace and explores its importance while contemplating philosophical bills of embodied subjectivity. physique disgrace in basic terms reveals its complete articulation within the presence (actual or imagined) of others inside a rule and norm ruled milieu. As such, it bridges our own, person and embodied event with the social, cultural and political global that includes us. Luna Dolezal argues that figuring out physique disgrace can make clear how the social is embodied, that's, how the body—experienced in its phenomenological primacy by way of the subject—becomes a social and cultural artifact, formed by means of exterior forces and demands.
The physique and disgrace introduces prime twentieth-century phenomenological and sociological money owed of embodied subjectivity in the course of the paintings of Edmund Husserl, Maurice Merleau-Ponty, Jean-Paul Sartre, Michel Foucault and Norbert Elias. Dolezal examines the embodied, social and political good points of physique disgrace. contending that physique disgrace is either an important and constitutive a part of embodied subjectivity whereas at the same time a possible website of oppression and marginalization. Exploring the cultural politics of disgrace, the ultimate chapters of this paintings discover the phenomenology of self-presentation and a feminist research of disgrace and gender, with a severe specialise in the perform of plastic surgery, a domain the place the physique is actually formed by way of disgrace. The physique and disgrace will be of serious curiosity to students and scholars in a large choice of fields, together with philosophy, phenomenology, feminist conception, women’s stories, social concept, cultural stories, psychology, sociology, and clinical humanities.